oPsaico Bop

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oTiziano Zanotti, double bass
oAlessio Alberghini, soprano and alto sax
oGuests:
oFabrizio Puglisi, piano
oClaudio Trotta, drums

oNext concerts:

 

 


Classical contemporary sound and experimental research could be the two poles of this new project by bassist Tiziano Zanotti and saxophonist Alessio Alberghini, who in this occasion have involved a couple of guests musicians to make their explorations more inspirational: the versatile and talented drummer Claudio Trotta, and the pianist Fabrizio Puglisi, internationally known for his improvisation skills as well as for the introduction of extra-musical materials in his performances. Four musicians with different backgrounds and experiences, who are willing to get together in a creative process to expand their expressive paths in the big universe of jazz music.

The album tracks have no unique origin: sometimes the musicians concentred on more structured pieces of their own, with specific sections and chords, in some other cases they started out with an idea or a mood that was then developed freely in the recording studio, or they just focused on a very few repeated fragments within a totally improvised session. The result is a highly varied album, full of ideas, charms, colours.

So, if the pieces played with the drums are particularly vigorous, almost irreverent to the listener (with “Punk Meditation” and “Evidenze” representing the most tense points of the whole project), the tracks with the piano have a more rarefied, meditative aura. The noisy effects of the prepared piano (reminding of John Cage) are alternated to suspended, impressionist atmospheres, with all Puglisi’s artistry at its best. The “fil rouge” of the whole project is probably represented by the pieces that are performed in duo, which are more traditional in sound thanks to the use of the bow, and yet tense, sharp, with interplays and role reversals between sax and double bass.

oVideos

 

 
 
 
 

 

 

Psaico Bop - Harry
Tiziano Zanotti, double bass
Alessio Alberghini, saxes
Fabrizio Puglisi, piano

Claudio Trotta, drums

 

 

 

Psaico Bop - Punk Meditation
Tiziano Zanotti, double bass
Alessio Alberghini, saxes
Fabrizio Puglisi, piano

Claudio Trotta, drums

 

 

 

Psaico Bop - Close Down close to Sabir
Sabir Mateen, tenor sax
Tiziano Zanotti, double bass
Alessio Alberghini, soprano sax

Claudio Trotta, drums

 

 

 

Psaico Bop - Evidenze
Tiziano Zanotti, double bass
Alessio Alberghini, saxes
Fabrizio Puglisi, piano

Claudio Trotta, drums

 

 

Psaico Bop - XA
Tiziano Zanotti, double bass
Alessio Alberghini, saxes

Claudio Trotta, drums

 

 

 

Psaico Bop - Patatrack!!
Sabir Mateen, tenor sax
Tiziano Zanotti, double bass
Alessio Alberghini, soprano sax

Claudio Trotta, drums

 

 

 

Psaico Bop - Evidentemente
Tiziano Zanotti, double bass
Alessio Alberghini, saxes

Claudio Trotta, drums

 

 

 

From CD's liner notes
Refined, elusive and esoteric in certain passages, Psaico Bop is characterized by its pronounced quest for a significant language as well as accomplished and well-rounded aesthetical consistency. The pulsating-rhythmic force of the double-bass binds all, with Zanotti claiming the role of leader who is never complacent, but rather constructs a type of natural platform for the simultaneously auroral and crepuscular sound of Alberghini's sax that in certain passages reaches summits of outstanding lyricism.

In this winning interplay, the piano of Puglisi combines technique, intuition and musical inspiration in a superlative manner to bring substance and meaning to the whole. The drums of Trotta, syntonic and exact, add the perfect direction to passages scattered with unexpected deviation, sudden changes of rhythm and thunderbolts that break into a “derailment of sound” in which the melodic blueprint gives way to a modus favouring rarefied interpretation rather than clear-cut lines.

But what leaves a lasting impression is the intimate awareness, on the part of the artists, of having found a generative code for a source of inspiration and intuition that translates itself into an expressive force via a highly effective musical language. If jazz is somewhat of a diverse melting pot of musical idioms, we can undoubtedly say that “Psaico Bop” can step up as one of the best Italian jazz products created over the last few years.
(Enrico Malucelli, Cento Jazz Club).